A good pot-au-feu can’t be made without these 3 cuts of beef, says this butcher and Laurent Mariotte

That dish is pot-au-feu, the old-fashioned beef and vegetable stew that has fed generations. Behind its humble look hides a precise choice of meat, and a French butcher, backed by TV host and food writer Laurent Mariotte, swears that three specific cuts make all the difference.

Why pot-au-feu is still such a big deal in France

Pot-au-feu is one of those recipes that looks almost too simple. Beef, bones, vegetables, water, salt. Long cooking. That’s it. Yet in French homes it carries strong emotional weight: Sunday lunches, steaming bowls after a frosty walk, the smell that fills the house for hours.

Unlike ready meals or heavily processed foods, pot-au-feu is built on raw, unprocessed ingredients. A few pieces of beef on the bone, seasonal vegetables, and time. The long simmering extracts flavour, collagen and fat, turning cheap cuts into something comforting and deeply savoury.

Pot-au-feu is less a recipe than a method: good beef, plenty of water, low heat, and patience.

Because the ingredients list is short, any weakness shows. If the meat lacks character or texture, the broth tastes flat and the slices on the plate feel dry. This is where the butcher steps in with professional advice: choose cuts that each bring something different to the pot.

The three cuts that make a proper pot-au-feu

Paleron (chuck): the comforting, tender one

The first cut recommended by the butcher and championed by Laurent Mariotte is paleron, often sold as chuck in English-speaking countries. It comes from the shoulder area and is full of short muscle fibres and connective tissue.

Those fibres tighten when the heat rises, then slowly relax as the hours pass in a gentle simmer. The result, if you don’t rush it, is fork-tender meat that still holds together when sliced.

Paleron is the reassuring centre of the dish: tender enough for children, tasty enough for serious eaters.

In practice, paleron gives you generous slices of beef that look good on the plate, soak up mustard and broth, and reheat well the next day.

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Boeuf cheek: the collagen-rich, melting cut

The second must-have is beef cheek. It can look intimidating in the butcher’s window, with its irregular shape, but it is a favourite among chefs for slow cooking.

Cheek is naturally rich in collagen and has a slightly gelatinous feel once cooked. During the long simmer, collagen dissolves into the broth, giving it body and that almost silky texture you notice on your lips.

On the plate, the cheek becomes incredibly soft, almost spoonable. It’s the cut that makes guests go quiet for a moment, just to enjoy the texture.

Plat de côtes (short ribs / rib plate): the flavour engine

The third cut, and the one Mariotte treats as a non‑negotiable, is plat de côtes, close to what English butchers call short ribs or rib plate. This is the fatty, bone-in part that perfumes the entire pot.

According to the butcher and Laurent Mariotte, plat de côtes is the key cut that gives pot-au-feu its aromatic depth.

The mix of bone, fat and meat slowly releases flavour into the cooking water. That’s what turns plain water into a proper broth, fragrant and comforting, with little beads of fat glistening on the surface.

Take away the plat de côtes and the stew can feel strangely thin. Keep it in, and you get a broth you can serve proudly as a starter.

How the cuts work together in the pot

The strength of this trio lies in contrast. Each piece behaves differently as it cooks, and that’s exactly what you want.

  • Paleron (chuck): structured, sliceable, classic “roast-like” meat texture
  • Beef cheek: melting, gelatinous, adds body to broth
  • Plat de côtes (short ribs): fatty, aromatic, supports the stock with bone and marrow

In a traditional French household, these three are often tied together with kitchen string before going into the pot. That way they cook evenly and are easier to remove without breaking apart.

The goal is simple: combine different flavours and textures so every forkful feels slightly different from the last.

Laurent Mariotte’s blueprint for a classic pot-au-feu

Laurent Mariotte’s version sticks to tradition. It is generous, family‑style, and designed to stretch over more than one meal. For six people, he follows roughly this pattern:

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Ingredient Approximate amount Role in the dish
Plat de côtes (short ribs) 500 g Fat, aroma, rich broth
Beef cheek 500 g Collagen, melting texture
Paleron (chuck) 400 g Tender, sliceable meat
Beef marrow bones 6 pieces Extra richness and flavour
Carrots, leeks, turnips Assorted Sweetness, balance, colour

The meat goes into a very large pot with plenty of cold water. As the water heats up, foam rises to the surface. This is skimmed carefully to keep the broth clear and delicate.

An onion studded with cloves, a whole head of garlic cut in half, and a classic bouquet garni (thyme, bay, parsley wrapped in a leek leaf) join the pot. A spoonful of coarse salt starts the seasoning, but final salting is adjusted later, once the flavours have developed.

The beef then simmers gently for about three hours. No rapid boiling, no rushing. Only then are the vegetables added in big chunks for the last half-hour, so they stay intact and don’t disintegrate into mush.

Marrow bones go in right at the end, with the heat switched off but the lid on, so the marrow softens without spilling completely into the broth.

Two meals in one: how the French actually eat pot-au-feu

Traditionally, pot-au-feu gives you at least two courses. First comes the broth, served as a clear soup, sometimes with thin noodles or toasted bread. Then the meat and vegetables arrive on a large platter, straight from the pot.

At the table, the broth is the opening act; the meat and vegetables are the main show.

On the side, you usually find strong mustard, pickles and good coarse salt. Some people like to spread a little marrow on toasted bread, with a pinch of salt on top, before attacking the meat.

The leftovers are almost as important as the main meal. Cold slices of beef can become sandwiches, salads or a hash. The broth might reappear the next day with pasta, rice or more vegetables, turning the original pot into several low‑cost meals.

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Practical tips if you’re cooking it outside France

If you live in the UK or US, the names at the butcher’s counter may differ. Here are the closest equivalents to ask for:

  • Paleron → chuck roast or blade roast
  • Beef cheek → beef cheek (often in the offal or specialty section)
  • Plat de côtes → short ribs or rib plate, bone-in

If you cannot find cheek, shank can partly play the same role, bringing collagen and a slightly gelatinous feel. For plat de côtes, sticking to bone-in cuts is important, since the bones carry a lot of flavour.

Try to source beef from a local butcher rather than pre-packed trays. You can briefly explain you are making a long-cooked stew and want a mix of fatty and lean cuts. Many butchers enjoy this kind of request and will suggest alternatives based on what they have.

Why collagen, fat and long cooking matter so much

Three words often used for pot-au-feu are collagen, marrow and slow. A few clarifications help understand what happens in the pot:

  • Collagen is the protein in connective tissues. It is tough when undercooked, but during long simmering it turns into gelatine, which thickens the broth lightly and makes the meat moist.
  • Fat carries flavour and gives the broth a round, satisfying mouthfeel. Skim only the thick foam and excess fat; leave a thin layer for taste.
  • Slow cooking lets flavour move from meat and bones into the water without drying out the beef. A gentle simmer, not a rolling boil, is the target.

From a nutritional angle, a homemade pot-au-feu is relatively balanced: protein from beef, fibre and vitamins from vegetables, and a broth that rehydrates and warms you up. Portions can be adjusted easily, and you control the amount of salt.

For home cooks used to quick dinners, committing three or four hours to one pot might look excessive. In practice, most of that time is unattended simmering. Once the meat is in and the heat is low, you only return occasionally to skim or add vegetables. In exchange, you get a meal that can feed a family more than once, with a flavour profile that no stock cube can replicate.

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